In the Absence of Jagannatha (Record no. 419)
[ view plain ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01831nam a2200217Ia 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 230203s9999 xx 000 0 und d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789381523346 |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | VSCL |
| Item number | PAT |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Pathy, Dinanath |
| 245 #0 - TITLE STATEMENT | |
| Title | In the Absence of Jagannatha |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | . |
| Name of publisher, distributor, etc | Niyogi Books |
| Date of publication, distribution, etc | 2012 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 116: ill. |
| Dimensions | 23.85 x 1.73 x 30.73 cm |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc | This “micro art history study” documents in its first part all known samples of anasara pati-paintings, i.e. annually produced pictures on cloth which serve as temporary replacements for the then absent wooden icons in the temples of Lord Jagannatha in Puri and South Orissa. Since the iconography of this type of ritualistic paintings is defined by tradition and has to be strictly adhered to by the painters, changes in iconographic details and even stylistic features can only be minimal. Nevertheless, minor deviations occur. By carefully viewing these paintings, the exact range of variations, the scope for idiosyncrasies, personal liberties and preferences and the perpetuation of changes in the production of these religious pictures can be pointed out in the face of an ideology advocated and severely controlled by temple authorities that doesn’t permit something like “change” but believes in the permanence of eternal values and forms. In the second part of the book the authors reconstruct the history of anasara-pictures. Here the focus is on why two different iconographies for the Jagannatha triad co-exist and under what conditions these painted “classical” triptychs may have been invented and why they continue to flourish. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Anasara Pati Paintings |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Iconography |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Jagannath Puri |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Paintings |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Visual Culture |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Fischer, Eberhard |
| Relator term | Co-author |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Item type | Books |
| 300 ## - PHYSICAL DESCRIPTION | |
| -- | Hardbound |
| Withdrawn status | Lost status | Damaged status | Not for loan | Permanent location | Current location | Shelving location | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Arthshila Ahmedabad | Arthshila Ahmedabad | Cluster: 3L | 03/02/2023 | VSCL/PAT | BK00343 | 03/02/2023 | Books |