000			01178nam a2200193Ia 4500
008			230203s9999 xx 000 0 und d
020			_a9783037786017
082			_aDSGN _bMUS
245		0	_aStop Motion: Poster Collection 31
260			_a. _bLars Müller Publishers _c2019
300			_a96: ill. _c24.0 x 16.5 x 0.64 _rPB
504			_aThe medium of the poster is distinguished by displaying messages combining images and text on a static, two-dimensional surface. Designers have, however, always toyed with extending the plane by adding a third dimension, whether spatial or temporal, in order to fool the eye. Stop Motion examines the myriad creative approaches to suggesting movement, recession into depth, dynamics, and rhythm. Moreover, the works assembled in the publication show that - with the exception of the current animated poster trend - the simulation of movement and three dimensions is always the result of a conscious design decision motivated by the respective content.
650			_aDesign
650			_aDesign History
650			_aGraphic Design
700			_a Richter,Bettina _eEditor
700			_aMuseum für Gestaltung Zürich _eEditor
942			_cBKS
999			_c311 _d311