000 | 01452nam a2200229Ia 4500 | ||
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008 | 230203s9999 xx 000 0 und d | ||
020 | _a 9783037783726 | ||
082 |
_aDSGN _bMUS |
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245 | 0 | _aMax Bill’s View of Things | |
260 |
_a. _bLars Müller Publishers _c2015 |
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300 |
_a160: ill. _c8.31 x 0.69 x 11.69 inches _rHB |
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504 | _aThe international touring exhibition "Die gute Form" was conceived by Max Bill on behalf of the Swiss Werkbund and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 display panels, designed by Bill, presenting a selection of consumer goods from all over the world, chosen by Bill as examples of good design. The show caused some upset in Switzerland and fuelled heated debates abroad. But it also exerted a wide-reaching influence – for example, upon the way in which consumer goods were perceived. This publication documents Bill’s initiative in reproductions of the original display panels and layout plans for the venues visited by the exhibition, and places Die gute Form in a theoretical context that considers its reception and impact within the history of design. | ||
650 | _aDesign | ||
650 | _aDesign Education | ||
650 | _aDesign History | ||
650 | _aExhibition | ||
650 | _aFurniture Design | ||
650 | _aProduct Design | ||
700 |
_aLars Müller _eEditor |
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700 |
_aMuseum für Gestaltung Zürich _eEditor |
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942 | _cBKS | ||
999 |
_c319 _d319 |