000 | 01392nam a2200217Ia 4500 | ||
---|---|---|---|
008 | 230203s9999 xx 000 0 und d | ||
020 | _a9780300243956 | ||
082 |
_aDSGN _bSTI |
||
100 | _aStirton, Paul | ||
245 | 0 | _aJan Tschichold and the New Typography | |
260 |
_a. _bYale Architectural Press _c2019 |
||
300 |
_a272: ill. _c17.78 x 2.29 x 22.35 cm _rPB |
||
504 | _aThis handsome volume offers a new understanding of Tschichold’s work, and of the underlying theories of the artistic movement he helped to form, by analyzing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and László Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. This book also charts the development of the New Typography, a broad-based movement across Central Europe that included “The Ring,” a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, The New Typography (1928), still regarded as a seminal text of graphic design. | ||
650 | _aCommunication Design | ||
650 | _aDesign | ||
650 | _aDesign History | ||
650 | _aEditorial Design | ||
650 | _aGraphic Design | ||
650 | _aTypography | ||
942 | _cBKS | ||
999 |
_c327 _d327 |